The dumpster left by World War II created the right environment to awaken new radical forms of art. At the edge of any convention appeared the Butoh dance, a minimal “dance of darkness” rooted in primordial and prelinguistic impulses. After the war the dancer's body ceased to be a well-tuned machine to become a resilient matter continuously responding to slow electric waves.
After redefining and subverting the conventional notions of dance, breaking all types of taboos in post-traumatic Japan, these “technician of the nervous system” migrated to France in search of a new source of unbounded energy known to be shared by newborns and poets. The bald masters of Butoh were now followers of a continuous cry started by Lautréamont, Artaud, Genet and, above all, Sade.
Around the 1980s, shots of an unknown documentary on “Sankai Juku" dance troupe were found in a garbage bin in Paris. These shots have become the core of one of Butoh's most extraordinary documents, the foun
d footage masterpiece “Japon Series”. This ultra vivid film was created by Cécile Fontaine by manipulating the 16 mm with scotch tape, a needle and a painter's knife, scratching and scraping the emulsion to reveal hidden colors in intense painterly compositions.
“fearsome technicians of the nervous system” (wikipedia)
Sunday, June 18, 11 pm
Oporto new entrance: Calçada Salvador Correia de Sá 42 , 2F, Lisbon
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